RODESCHINI Mouthpieces
In 2020 I started to develop new Mouthpieces for my collegues trumpet and horn players. My aim is to have more reliablity and efficiency with the hours rehearsing and developping our highest skills.
The following models are available
in one piece or with screw rim.
for TRUMPET:
- S
this mouthpiece brings a correction of the 6th partial. It lowers the well known sharpness of the F and G by Bach Stradivarius trumpets.
- O
The same that the modell S but with more volume
- 1CMV
My copy of the most beautiful 1C Mt Vernon that Icould found. Great thanks to Guillaume Jehl for letting me access to his collection.
- Linz
The reproduction of a beautiful mouthpiece from Linz, end of the 19th century. The greatest tonal volume and ease of playing for the Rotary trumpet. In both short or long versions
- MA
Another beautiful gift flowing through the hands of the greatest french players of the 20th century.
The work of Couesnon for Professor Foveau on his Model 3, brought to Professor Sabarich with special specifications, then this very piece was given to Maurice André at his start as a student in the class of the Conservatoire de Paris. Then after long times in the shelves and following it's way through south France and now to me in Berlin. Now the MA model of my production. In highest respect of the french Trumpet Tradition.
- R2
A big cup, but still in U shape. Bringing a good solution for musicians playing rotary trumpets. Lots of volume AND more control to the sound colors than with the more common V shaped mouthpieces
- 15E and there relatives 15ES and 15E2
variations on a big standard for the rotary trumpet
- 16E
my evolution of this very powerful mouthpiece, going for more control and more projection
- G2
starting with the forms of the G2 that was played in the times of Martin Kretzer first chair playing in the Berlin Philharmonie, aiming for more even tonal volum and better efficiency
- A
My model for the baroque trumpet
A-llround solution for the baroque trumpet
for PICCOLO TRUMPET
and also suits SOPRANO CORNET:
- P1
An evolution of a MtVernon 10-1/2C Cornet Mouthpiece. Pleasant big sound, quite astonishing when compared to the small Volume of the cup.
Available for both cornet or trumpet shanks
- P2
Another copy of an old MtVernon 10-1/2C. This one originaly for trumpet. More power and ease in the extreme high register. The fifths are pushed a little higher in the Intonation. Correcting some well known difficulties of our Piccolo trumpets.
Available for both type of shanks, cornet or trumpet
- P3
A very comfortable compromise of size for the orchestral trumpet player. Based on the old Schilke PIC. Not too small, and still supportive.
for CORNET:
- 4.5 and 4.6
Big Brass Band bowl. Still not as deep as the „no letter“ cups. I worked on it with two ideas: Giving the projection that often miss to the cornet. and bringing the 6th partial a little higher (Gs, Fs), what helps the traditional Brass Band cornets (Besson Sovereign, Prestige, Geneva and the diverse Yamaha top models) to respond through the whole range more linearly, caring for precision of playing
- V
Extending my ideas of looking for a bigger flexibility to the sound and having an even better response to aim for a wide range of dynamics and sound colours. Even more ease and control. The model MC V best for Brass Band. And the looked after screw rim model for the classical player
- CC
based on a Boosey Soprano cornet mouthpiece of the beginning of the 20th century. Amplificating it magnificient flexibility in sound and range
for HORN:
- de Abreu
V shaped, best suited to fit the Alexander Horn, giving more room for expression and lots of power for the orchestral musician. Available in different Rim sizes. Mostly with the well known Schmidt 11 and Bach 3 Rims
- Kalmik
The result of our search for the most control and uncompromised power. In collaboration and advices with Professor Mahir Kalmik
- Berger
A very unique flexibility and soulful tonal experience. The product of a great friendship with Professor Saar Berger. Available in two different weights. For Orchestral or more Soloist needs.
- N
for the natural Horn. but also a solution for easier playing
for TROMBONE:
- Doms
Starting from the old mouthpiece that Professor Doms played on his Weschke Kruspe Trombone. Model RODESCHINI Doms and RODESCHINI HD Doms with the exact copy of the original forms. Model RODESCHINI 5 Doms and RODESCHINI 5HD Doms, with a more common modern Rim.
- G
My Modell "5HD G" for the modern player. A G cup that I worked on for better intonation and ease of playing. Great depth of sound and flexibility. At the moment only available with my very confortable 5 Rim. Also a special design, inspired by the works of the legends Kruspe, Bach and Monette
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